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Apartment block tenants seek the aid of alien mechanical life-forms to save their building from demolition. Two opposing factions of transforming alien robots engage in a battle that has the fate of Earth in the balance.

PG 84 min Animation, Action, Adventure. The Autobots must stop a colossal planet consuming robot who goes after the Autobot Matrix of Leadership.

At the same time, they must defend themselves against an all-out attack from the Decepticons. In this new set of adventures the Autobots live on Earth and maintain their secret identity.

They are joined by 3 teens as they battle the Decepticons. PG 92 min Action, Adventure, Fantasy. The adventures of teenager Max McGrath and his alien companion, Steel, who must harness and combine their tremendous new powers to evolve into the turbo-charged superhero Max Steel.

PG 75 min Animation, Action, Adventure. Superman and Supergirl take on the cybernetic Brainiac, who boasts that he possesses "the knowledge and strength of 10, worlds.

The Command Center is gone but the crystal leads them to the new Power Chamber and all but Billy take on new Zeo powers. Votes: 2, When a new army of Decepticons appear, Bumblebee must lead a new team of Autobots to Earth against their eternal foes.

Votes: A human becomes an unlikely rising star in the biggest fighting tournament in the galaxy that's dominated by alien species.

Earth has been conquered by robots from a distant galaxy. Survivors are confined to their houses and must wear electronic implants, risking incineration by robot sentries if they venture outside.

Votes: 6, The Rescue Bots are Transformers that work with a family of heroes to rescue humans from disasters.

These non-violent Transformer stories were aimed at pre-school viewers. They find trouble with Dee Dee, Frankie and the pack.

Transformers crash land on present day Earth and inadvertently cause a technological revolution.

They wake up 50 years later in a world where robots are used in everyday life. StarScream arrives looking for their AllSpark. Votes: 1, Jesse, an alien exiled to Earth, finds himself in Los Angeles.

His only companion is a floating, orb-shaped robotic parole officer named Control. Doomed to stay on Earth until Jesse can The Transformers war heats up when the Autobots and Decepticons create combining robots to battle each other.

PG 85 min Animation, Action, Adventure. A retro-futuristic epic of steampunk battle set in It has been 15 years since the original H.

Wells Martian invasion. Fearing another attack, the human race has prepared itself. Gobots are loosely based on the Tonka toy line. There are two warring factions: the Gaurdians, lead by the charismatic Leader-1, and the Renegades, lead by Cy-Kill, who is bent on dominating Gobotron and then the Earth and the galaxy.

G 95 min Action, Adventure, Sci-Fi. A team of astronauts is sent to the moon to rescue an alien who is seeking help to save her dying race.

They are attacked by a force of bandit robots and discover that enemy spies are out to kill the alien. Years after "Transformers: Armada", the Autobots continue to battle the Decepticons, but this time they must also prevent the resurrection of Unicron.

Project Questor is the brainchild of the genius Dr. Vaslovik, who developed plans to build an android super-human. Although he has disappeared and half of the programming tape was erased in Director: Richard A.

Optimus Prime and the Autobots defend Earth against Megatron and combined forces of the evil Predacons and Decepticons. Robbi and Tobbi are friends, unusual friends, because Robbi is little robot.

For their adventure travel they construct a perfect vehicle for the air, water and earth - the Fliewatüüt. Ripley becomes suspicious of Ash as a result of these actions.

Captain Dallas discloses that Ash replaced the vessel's regular science officer two days before the ship left Thedus. When Ripley, by checking the main computer, discovers the real reason for the Nostromo ' s diversion, Ash assaults Ripley, attempting to kill her by forcing a rolled-up pornographic magazine down her throat.

When even that fails to kill him, he is electrocuted with a cattle prod. His severed head is reactivated to provide the crew with the truth about the creature.

Ash complies, revealing that the company installed him to ensure that the creature was brought back to them, with the crew's lives being "expendable".

After informing them of all he knows about the creature, Ash tells the crew, "You have my sympathies", regarding their chances of survival.

Ripley then unplugs him and Parker incinerates his head with a flamethrower. Ripley's experiences with Ash left her with a great hostility towards androids, seen with her reaction to Bishop in the sequel Aliens.

Midway through the novel, following Ripley's escape from the Nostromo at the end of Alien , Ash's programming had secretly remained in control of the Narcissus , Ripley's escape pod.

After keeping the shuttle drifting for thirty-seven years, he detected the distress call sent out by the Marion and rerouted the shuttle to intercept it, hoping to continue with his mission to acquire a Xenomorph specimen for Weyland-Yutani.

Soon after arriving at the Marion , Ripley learned of Ash's survival and he eventually revealed himself to the group the explanation for his voice having changed, which occurs only in the audioplay adaptation of the book, being the Seegson terminal he uploaded himself into.

Throughout the incident aboard the Marion , and on planet LV below, Ash continued to plot against the survivors.

However, the crew member committed suicide before Ash could put his scheme into motion. With his plans to recover a Xenomorph in ruins, Ash, apparently driven insane by the years he had spent drifting alone aboard the Narcissus , planned to continue his journey with Ripley, with whom he imagined he had developed an intimate connection.

However, before the Narcissus departed the Marion , Ash was finally destroyed when Hoop wiped the AI's program from the shuttle's mainframe using a computer virus.

As Ash died, he made one last mission log to Weyland-Yutani, musing to himself that as his messages hadn't been going through to Weyland-Yutani, he has written the equivalent of a diary.

With Ash destroyed, Ripley drifted through space for a further twenty years before being rescued see Aliens. Kaveney characterizes Hill's and Giler's "menacing robot" as a counter-revisionist robot, from an era where the image of the robot in science fiction was reverting to its pre- Isaac Asimov characterization of "a competitor to humanity who would sooner or later turn on us or pass for human and mis-lead us".

Keith Booker, a "distinctive mode of intelligent existence that seems alien to our own", and is in fact if one counts the dead pilot of the crashed spaceship one of a number of sentient non-humans that humanity encounters in the film.

Roz Kaveney believed the revelation that Ash is not human is "in a sense no surprise". Worse still, the theretofore benevolent Corporation, that supposedly mandates its crews to rescue spaceships broadcasting distress signals, is revealed as a profiteering entity that cares not at all for human lives, and considers them to be commodities of no more inherent worth than the android machine that they programmed to capture and return a specimen of the alien.

Thompson observes that in hindsight it is clear that Ash is in fact beginning a scientific analysis of the alien, for the Corporation, in these scenes, to which Kane's welfare is largely irrelevant.

Ash is, in the words of Per Schelde, the "perfect Corporation man". He reflects the Corporation's views, and is its functionary. He is an inhumane science officer who lacks human values, [13] an example of the "mad scientist" or "mad doctor" stereotype of fiction.

However, from the character's own viewpoint, according to Mary Pharr, he is neither. He is aware that he is Corporation property and comfortable with his programming, confident and purposeful.

He cares neither for the human crew of the Nostromo nor for the humans of the Corporation who, Pharr notes, would have received a very unpleasant surprise had Ash been successful in transporting the alien back to Earth.

His interest is in "collating", the collection of knowledge. When Ripley and the other crewmen power up his head in order to question him about how to kill the alien, he expresses admiration for it.

He admires the creature's purity as "a survivor, unclouded by conscience, remorse, or delusions of morality.

Other commentary focuses more on the sexual metaphors and undertones of the character. Gerard Loughlin notes that Holm's "subtly prissy" performance of the role conveys a sense of "otherness" for Ash.

This was suggested yet further by material that never made it into the released film. Thompson relates the assertion, echoed by Gallardo and Smith, that Ash's use of the pornographic magazine against Ripley "relat[es] pornography to violence against women", but disputes it, stating that this analyses the scene by itself, without taking into account the larger context of the rest of the film.

Thompson states that rather than relating to pornography and the nature of the magazine, Ash's assault is structured as it is by the filmmakers in order to allude to the "facehugger"'s infestation of its victims, as observed by Ash in an earlier scene where Kane is being CT-scanned.

Although not in itself explicitly sexual, it does involve the creature's reproductive cycle. Thompson argues that Ash is here simply emulating the creature that he so admires.

Ash's instructions from the Corporation, Thompson argues, did not explicitly state that he kill any member of the crew, and it is possible that Ash acquired his notions of the proper way to kill a human being from observing the alien.

Thompson qualifies this interpretation by noting that it is not one that is likely to occur upon a first viewing of the film.

From Wikipedia, the free encyclopedia. Main article: Alien film. Main article: Alien: Out of the Shadows. Harvard University Press. Retrieved

At the same time, they must defend themselves against an all-out attack from the Decepticons. In this new set of adventures the Autobots live on Earth and maintain their secret identity.

They are joined by 3 teens as they battle the Decepticons. PG 92 min Action, Adventure, Fantasy. The adventures of teenager Max McGrath and his alien companion, Steel, who must harness and combine their tremendous new powers to evolve into the turbo-charged superhero Max Steel.

PG 75 min Animation, Action, Adventure. Superman and Supergirl take on the cybernetic Brainiac, who boasts that he possesses "the knowledge and strength of 10, worlds.

The Command Center is gone but the crystal leads them to the new Power Chamber and all but Billy take on new Zeo powers.

Votes: 2, When a new army of Decepticons appear, Bumblebee must lead a new team of Autobots to Earth against their eternal foes.

Votes: A human becomes an unlikely rising star in the biggest fighting tournament in the galaxy that's dominated by alien species.

Earth has been conquered by robots from a distant galaxy. Survivors are confined to their houses and must wear electronic implants, risking incineration by robot sentries if they venture outside.

Votes: 6, The Rescue Bots are Transformers that work with a family of heroes to rescue humans from disasters.

These non-violent Transformer stories were aimed at pre-school viewers. They find trouble with Dee Dee, Frankie and the pack.

Transformers crash land on present day Earth and inadvertently cause a technological revolution. They wake up 50 years later in a world where robots are used in everyday life.

StarScream arrives looking for their AllSpark. Votes: 1, Jesse, an alien exiled to Earth, finds himself in Los Angeles.

His only companion is a floating, orb-shaped robotic parole officer named Control. Doomed to stay on Earth until Jesse can The Transformers war heats up when the Autobots and Decepticons create combining robots to battle each other.

PG 85 min Animation, Action, Adventure. A retro-futuristic epic of steampunk battle set in It has been 15 years since the original H. Wells Martian invasion.

Fearing another attack, the human race has prepared itself. Gobots are loosely based on the Tonka toy line.

There are two warring factions: the Gaurdians, lead by the charismatic Leader-1, and the Renegades, lead by Cy-Kill, who is bent on dominating Gobotron and then the Earth and the galaxy.

G 95 min Action, Adventure, Sci-Fi. A team of astronauts is sent to the moon to rescue an alien who is seeking help to save her dying race.

They are attacked by a force of bandit robots and discover that enemy spies are out to kill the alien. Years after "Transformers: Armada", the Autobots continue to battle the Decepticons, but this time they must also prevent the resurrection of Unicron.

Project Questor is the brainchild of the genius Dr. Vaslovik, who developed plans to build an android super-human. Although he has disappeared and half of the programming tape was erased in Director: Richard A.

Optimus Prime and the Autobots defend Earth against Megatron and combined forces of the evil Predacons and Decepticons.

Robbi and Tobbi are friends, unusual friends, because Robbi is little robot. For their adventure travel they construct a perfect vehicle for the air, water and earth - the Fliewatüüt.

G 75 min Animation, Action, Adventure. When an evil Transformer known as Thunderwing begins to threaten the Earth, Optimus Prime and the Autobots must roll out into action and combat this new threat before it's too late.

An alien race sends cyborgs--made to look like the son of a famous scientist, whom they killed when he landed on their planet--to Earth to help pave the way for an invasion.

Abridged version of the show with added CGI intros. Worse still, the theretofore benevolent Corporation, that supposedly mandates its crews to rescue spaceships broadcasting distress signals, is revealed as a profiteering entity that cares not at all for human lives, and considers them to be commodities of no more inherent worth than the android machine that they programmed to capture and return a specimen of the alien.

Thompson observes that in hindsight it is clear that Ash is in fact beginning a scientific analysis of the alien, for the Corporation, in these scenes, to which Kane's welfare is largely irrelevant.

Ash is, in the words of Per Schelde, the "perfect Corporation man". He reflects the Corporation's views, and is its functionary.

He is an inhumane science officer who lacks human values, [13] an example of the "mad scientist" or "mad doctor" stereotype of fiction.

However, from the character's own viewpoint, according to Mary Pharr, he is neither. He is aware that he is Corporation property and comfortable with his programming, confident and purposeful.

He cares neither for the human crew of the Nostromo nor for the humans of the Corporation who, Pharr notes, would have received a very unpleasant surprise had Ash been successful in transporting the alien back to Earth.

His interest is in "collating", the collection of knowledge. When Ripley and the other crewmen power up his head in order to question him about how to kill the alien, he expresses admiration for it.

He admires the creature's purity as "a survivor, unclouded by conscience, remorse, or delusions of morality. Other commentary focuses more on the sexual metaphors and undertones of the character.

Gerard Loughlin notes that Holm's "subtly prissy" performance of the role conveys a sense of "otherness" for Ash. This was suggested yet further by material that never made it into the released film.

Thompson relates the assertion, echoed by Gallardo and Smith, that Ash's use of the pornographic magazine against Ripley "relat[es] pornography to violence against women", but disputes it, stating that this analyses the scene by itself, without taking into account the larger context of the rest of the film.

Thompson states that rather than relating to pornography and the nature of the magazine, Ash's assault is structured as it is by the filmmakers in order to allude to the "facehugger"'s infestation of its victims, as observed by Ash in an earlier scene where Kane is being CT-scanned.

Although not in itself explicitly sexual, it does involve the creature's reproductive cycle.

Thompson argues that Ash is here simply emulating the creature that he so admires. Ash's instructions from the Corporation, Thompson argues, did not explicitly state that he kill any member of the crew, and it is possible that Ash acquired his notions of the proper way to kill a human being from observing the alien.

Thompson qualifies this interpretation by noting that it is not one that is likely to occur upon a first viewing of the film. From Wikipedia, the free encyclopedia.

Main article: Alien film. Main article: Alien: Out of the Shadows. Harvard University Press. Retrieved Ximena Gallardo and C.

Jason Smith Alien Woman: The Making of Lt. Ellen Ripley. Continuum International Publishing Group. Den of Geek. Retrieved 26 June Alien: Out of the Shadows First ed.

Titan Books Limited. Alien to The Matrix: reading science fiction film. An Introduction to Visual Culture.

Keith Booker Greenwood Publishing Group. Gabbard and Krin Gabbard Psychiatry and the Cinema 2nd ed. American Psychiatric Pub.

November Science Fiction Studies. NYU Press. Contributions to the study of science fiction and fantasy.

July

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